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The Princess and the Goblin
by George Macdonald
There was once a little princess whose father was king over a great country full of mountains and valleys. His palace was built upon one of the mountains, and was very grand and beautiful. The princess, whose name was Irene, was born there, but she was sent soon after her birth, because her mother was not very strong, to be brought up by country people in a large house, half castle, half farmhouse, on the side of another mountain, about half-way between its base and its peak.
The princess was a sweet little creature, and at the time my story begins was about eight years old, I think, but she got older very fast. Her face was fair and pretty, with eyes like two bits of night sky, each with a star dissolved in the blue. Those eyes you would have thought must have known they came from there, so often were they turned up in that direction. The ceiling of her nursery was blue, with stars in it, as like the sky as they could make it. But I doubt if ever she saw the real sky with the stars in it, for a reason which I had better mention at once.
These mountains were full of hollow places underneath; huge caverns, and winding ways, some with water running through them, and some shining with all colours of the rainbow when a light was taken in. There would not have been much known about them, had there not been mines there, great deep pits, with long galleries and passages running off from them, which had been dug to get at the ore of which the mountains were full. In the course of digging, the miners came upon many of these natural caverns. A few of them had far-off openings out on the side of a mountain, or into a ravine.
Eight-year-old Princess Irene lives a lonely life in a castle in a wild, desolate, mountainous kingdom, with only her nursemaid "Lootie" for company. Her father the king is normally absent, and her mother is dead. Unknown to her, the nearby mines are inhabited by a race of goblins, long banished from the kingdom and now anxious to take revenge on their human neighbors. One rainy day, the princess explores the castle and discovers a beautiful, mysterious lady, who identifies herself as Irene's namesake and great-great-grandmother. The next day, Princess Irene persuades her nursemaid to take her outside. After dark they are chased by goblins and rescued by the young miner 'Curdie', whom Irene befriends. At work with the rest of the miners, Curdie overhears the goblins talking, and their conversation reveals to Curdie the secret weakness of goblin anatomy: they have very soft, vulnerable feet. Curdie sneaks into the Great Hall of the goblin palace to eavesdrop on their general meeting, and hears that the goblins intend to flood the mine if a certain other part of their plan should fail. He later conveys this news to his father. In the palace, Princess Irene injures her hand, which her great-great-grandmother heals. A week later Irene is about to see her great-great-grandmother again, but is frightened by a long-legged cat and escapes up the mountain; whereupon the light from her great-great-grandmother's tower leads her home, where her great-great-grandmother gives Irene a ring attached to a thread invisible except to herself, which thereafter connects her constantly to home. A very enjoyable children's book.
- Published on: 2016-01-31
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .29" w x 7.00" l, .52 pounds
- Binding: Paperback
- 128 pages
Amazon.com Review
As always with George MacDonald, everything here is more than meets the eye: this in fact is MacDonald's grace-filled vision of the world. Said to be one of J.R.R. Tolkien's childhood favorites, The Princess and the Goblin is the story of the young Princess Irene, her good friend Curdie--a minor's son--and Irene's mysterious and beautiful great great grandmother, who lives in a secret room at the top of the castle stairs. Filled with images of dungeons and goblins, mysterious fires, burning roses, and a thread so fine as to be invisible and yet--like prayer--strong enough to lead the Princess back home to her grandmother's arms, this is a story of Curdie's slow realization that sometimes, as the princess tells him, "you must believe without seeing." Simple enough for reading aloud to a child (as I've done myself more than once with my daughter), it's rich enough to repay endless delighted readings for the adult. --Doug Thorpe
Review
The Puffin Classics series is a perfect marriage of the old and the new. Enjoy some of the best books from the past and find out why and how they inspired some of the best writers of the present --Julia Eccleshare Lovereading4kids
About the Author
George MacDonald is considered one of the most important Christian authors of all time. His works include over twenty novels, many theological and critical works, and several volumes of poetry. But it is his stories for children that have endured the test of time. These works influenced many writers — including C.S. Lewis, who considered MacDonald his mentor, and J.R.R. Tolkien, who used MacDonald’s work as “a measuring stick” for his own writing in The Lord of the Rings.
Most helpful customer reviews
148 of 151 people found the following review helpful.
a sense of the Holy
By NotATameLion
C.S. Lewis has written of encountering a sense of the holy while reading the works of George MacDonald. I agree with Lewis' assessment when it comes to "The Princess and the Goblin." Anyone who reads this book with profit by having done so.
First, and perhaps most importantly "The Princess and the Goblin" is a delightful story. There is a lot of the "just plain fun reading" stuff going on in this story. There is also a lot more.
MacDonald has buried a lot of treasures within the cave walls of his story. If the reader looks carefully as they follow the fates of Irene and Curdie, they will find these jewels just sitting there shining in the darkness, ready to be mined. There are nuggets of wisdom to be gained here in the dialogue, the narration, and in the overall arch of the story.
More than this, MacDonald's story features the best of what was Romantic literature and blends it with the greatest characteristics of fairy tales--then he turns convention on its head. Some examples:
-Whereas in fairy tales wisdom is associated with the old and knowledgeable, wisdom is here associated with innocence.
-While in traditional tales, it is the hero who saves the princess, here the princess must rescue the hero.
-Fans of modern fantasy may be used to Providential Guidance being related to male literary figures such as Tolkien's Gandalf, Lewis' Aslan. Here the figure is Feminine--the Grandmother.
In the process of playing off of and twisting traditional Romantic literature and fairy tales MacDonald manages to transcend both genres and create a truly original work of wonder.
I recommend the "Princess and the Goblin" most highly. Get it today. Just be careful that you don't pick up an abridgment--they tend to rip out the heart of the tale in an attempt to make the text more modern (neutered).
69 of 70 people found the following review helpful.
A classic well worth seeking out
By Orrin C. Judd
This wonderful children's novel tells the story of eight year old Princess Irene. Cared for by her nurse Lootie, she lives in a mountain farmhouse while her father rules over the region from a mountain top castle. The local folk work as miners but are beset by the Goblins who inhabit the underground. Irene is saved from the Goblins by Curdie, a thirteen year old miner, and she in turn saves him. The whole thing is told in a pleasant conversational style and is filled with humor, word games, magic, derring-do, and pure wonderment.
George MacDonald, a Congregational minister turned novelist, who seems nearly forgotten now, was one of the seminal figures in the development of Fantasy. His influence on other Fantasy authors is obvious, he was a childhood favorite of JRR Tolkein, who especially liked this book, and C.S. Lewis named him one of his favorite authors. His own stories draw on many of the themes and characters of classical European fairy tales. But where they were often merely horrific and meaningless, MacDonald adds a layer of Christian allegory. Thus, Irene and Curdie are eventually saved by a thread so slender that you can't even see it, but which leads them back to safety, teaching Curdie that you sometimes have to believe in things that you can't see.
The book would be interesting simply as a touchstone of modern fiction, but it stands up well on its own and will delight adults and children alike.
GRADE: A
73 of 76 people found the following review helpful.
Dover Edition is not Unabridged, as marked on cover
By Unity Dienes
I have two copies of this wonderful book in front of me...the Dover Juvenile Classics edition and the beautiful hardcover by Macmillan. Not only does the Dover edition omit all the sweet pictures, but right from the very first page it omits a sweet exchange between "Mr. Author" and an unnamed interlocutor--reminiscent of the story interruptions by the "real" Christopher Robin and the narrator of the Pooh stories. If something has obviously been cut out right from the first page, I'd bet other passages have been cut out, too. Perhaps this is unabridged from some version of the story, but it is definitely not the most complete text available. Stick to the hardcover or deluxe versions of the text for the real thing.
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