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The Patchwork Girl of Oz, by L. Frank Baum
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THROUGH the kindness of Dorothy Gale of Kansas, afterward Princess Dorothy of Oz, an humble writer in the United States of America was once appointed Royal Historian of Oz, with the privilege of writing the chronicle of that wonderful fairyland. But after making six books about the adventures of those interesting but queer people who live in the Land of Oz, the Historian learned with sorrow that by an edict of the Supreme Ruler, Ozma of Oz, her country would thereafter be rendered invisible to all who lived outside its borders and that all communication with Oz would, in the future, be cut off. The children who had learned to look for the books about Oz and who loved the stories about the gay and happy people inhabiting that favored country, were as sorry as their Historian that there would be no more books of Oz stories. They wrote many letters asking if the Historian did not know of some adventures to write about that had happened before the Land of Oz was shut out from all the rest of the world. But he did not know of any. Finally one of the children inquired why we couldn't hear from Princess Dorothy by wireless telegraph, which would enable her to communicate to the Historian whatever happened in the far-off Land of Oz without his seeing her, or even knowing just where Oz is. That seemed a good idea; so the Historian rigged up a high tower in his back yard, and took lessons in wireless telegraphy until he understood it, and then began to call "Princess Dorothy of Oz" by sending messages into the air. Now, it wasn't likely that Dorothy would be looking for wireless messages or would heed the call; but one thing the Historian was sure of, and that was that the powerful Sorceress, Glinda, would know what he was doing and that he desired to communicate with Dorothy. For Glinda has a big book in which is recorded every event that takes place anywhere in the world, just the moment that it happens, and so of course the book would tell her about the wireless message. And that was the way Dorothy heard that the Historian wanted to speak with her, and there was a Shaggy Man in the Land of Oz who knew how to telegraph a wireless reply. The result was that the Historian begged so hard to be told the latest news of Oz, so that he could write it down for the children to read, that Dorothy asked permission of Ozma and Ozma graciously consented. That is why, after two long years of waiting, another Oz story is now presented to the children of America. This would not have been possible had not some clever man invented the "wireless" and an equally clever child suggested the idea of reaching the mysterious Land of Oz by its means.
- Published on: 2016-01-03
- Original language: English
- Dimensions: 9.00" h x .60" w x 6.00" l,
- Binding: Paperback
- 266 pages
Review
Forced out of their dark forest, two Oz characters embark on the search for magic ingredients which will change their lives, and encounter Dorothy and her cohorts and a spirited Patchwork Girl who travels in order to see the world. Fine vintage color illustrations throughout a strong story. -- Midwest Book Review
From the Publisher
This book is in Electronic Paperback Format. If you view this book on any of the computer systems below, it will look like a book. Simple to run, no program to install. Just put the CD in your CDROM drive and start reading. The simple easy to use interface is child tested at pre-school levels.
Windows 3.11, Windows/95, Windows/98, OS/2 and MacIntosh and Linux with Windows Emulation.
Includes Quiet Vision's Dynamic Index. the abilty to build a index for any set of characters or words.
This Electronic Paperback is illustrated.
This Electronic Paperback is read aloud by an actor.
From the Inside Flap
Book 7 of L. Frank Baum's immortal OZ series, in which Scraps, the Patchwork Girl, is brought to life and the Munchkin boy Ojo sets out on a quest to find the magical cure that will release his Unc Nunkie from a spell that has turned him into a marble statue.
Most helpful customer reviews
36 of 39 people found the following review helpful.
Whee! But There's A Gaudy Dame!
By The Wingchair Critic
'The Patchwork Girl Of Oz' is Baum's most fluid, well rounded, and detailed children's novel.
Recognizing the increasing danger from lands beyond, at the end of 1910's 'The Emerald City Of Oz,' child ruler Ozma and sorceress Glinda decided to magically close Oz off from the outside world forever.
In reality, Baum was tired of Oz and wanted to develop other ideas and projects. But hounded by young fans to provide more stories of the utopist fairyland, in 1913 Baum again took up his pen as Royal Historian.
Explaining to readers that he had begun receiving new tales from the Shaggy Man via a wireless telegraph in Oz, the fruit of this partnership was 'The Patchwork Girl Of Oz,' probably the general favorite of Baum's novels among dedicated Oz enthusiasts. In fact, 'The Patchwork Girl Of Oz' is the book appreciated even by those who dislike the Oz series as a whole.
In poetry-spouting Scraps the Patchwork Girl, Baum introduced a vibrant, riveting figure to his fairyland, one equal to earlier classic creations the Scarecrow, the Tin Woodman, Jack Pumpkinhead, the Wooglebug, and the Gnome King.
Rowdy, grotesque Scraps was perhaps Baum's last great character; indefatigable and indomitable, Scraps was also Baum's most original and fully realized female character, whether human, fairy, sorceress, or otherwise.
A winning combination of common sense and nonsense, Scraps, a kind of nightmare version of Raggedy Ann, is pleasantly naive, utterly free, tactless, curious, and enthusiastic about all facets of life, including romance.
Though stuffed with cotton, Scraps finds the straw-packed Scarecrow a perfect dreamboat, and finds twig-bodied Jack Pumpkinhead attractive as well. John R. Neill's illustrations of the Scraps and the Scarecrow's 'hearts aflutter' first meeting is hilarious.
A reconfiguration of the happy peasant figure who blissfully notices that the emperor is naked and doesn't hesitate to say so, Scraps, though not an outright trickster figure, approaches trickster status.
Unlike some of the other titles in the series that have a predominantly sketchy narrative, 'The Patchwork Girl Of Oz' is composed of enthusiastic, rollicking prose that allows the reader to happily suspend disbelief. All Oz titles have filler chapters that pad the books and add little to their forward motion, and the Patchwork Girl Of Oz has its share. However, the filler chapters here--'The Troublesome Phonograph' and 'The Foolish Owl and the Wise Donkey'--don't irritate or distract from the story's forward motion as much as they might.
Far from being finished with Oz, in 1913 Baum was still working out the magical laws that would govern his fairyland kingdom; readers will note that those laws applied here differ somewhat from those provided in 1918's 'The Tin Woodman Of Oz.'
Most noticeably, young Ojo the Unlucky is described as a growing boy; in the later books, all characters would be permanently fixed in their ages and physical growth or decline would become impossible (which of course raises the question of who each citizen of Oz came into being in the first place).
'The Patchwork Girl Of Oz' is almost free of the occasionally unsettling, cruel, or bizarre elements that Baum unconsciously allowed to mar his books; there is a brief explanation of how "meat" beings, if chopped into pieces, would continue to live, if not thrive, in their newly minced state.
Unlike some of the other books in the series, the natural world in 'The Patchwork Girl Of Oz' is lushly underscored and doesn't seem to be a brittle facsimile of the natural world known to readers. There is a loving description of Jack Pumpkinhead's pumpkin patch home, of the Munchkin gardens of "blue flowers, blue cabbages, blue carrots, and blue lettuce," and a defense of country living by the itinerant Shaggy Man.
A classic of children's literature, 'The Patchwork Girl Of Oz' is Baum's best, and a far better book than its more famous antecedent, 'The Wonderful Wizard Of Oz.'
12 of 12 people found the following review helpful.
A return to form for Baum
By Blake Petit
While the last three books in L. Frank Baum's "Oz" series ("Dorothy and the Wizard in Oz", "The Road to Oz" and "The Emerald City of Oz") were all rather lackluster, this book was a return to form. The problem with the other installments was a lack of a new story -- they were all about people who went to Oz, met lots of strange and interesting people, and had a happy ending.
"The Patchwork Girl of Oz," however, had a very good story to bolster the old Oz formula. Ojo the Unlucky, a young Munchkin lad, along with the Glass Cat and Scraps, the Patchwork Girl, set out to find magical ingredients needed to restore his uncle and a magician's wife to life after they are accidentally petrified. So the story is, again, about someone wandering Oz and meeting strange and interesting people, but giving Ojo a quest gave the book a different angle, a sense of urgency -- this was a boy on a mission to save two lives.
The ending is somewhat abrupt, although quite in-character for Baum's creations, but overall it is one of the better Oz books, a real return to form after a few that just didn't click.
14 of 14 people found the following review helpful.
A must read for fans of fantasy
By David Michael Cohen
The title of the book actually misleads the reader somewhat. Yes this book does describe the origins of Scraps, the patchwork girl, who goes on to become a regular fixture in future Oz stories. However she is, in fact, a secondary character in the story. The main character is Ojo "the unlucky," a Munchkin boy who embarks on a quest to save his beloved uncle who has been accidentally turned into a marble statue.
This book offers the usual assortment of pleasantly odd characters, strange magical happenings and dramtic tension that go into all of the good Oz novels. What makes "Patchwork Girl..." stand out is its reltively mature subplot of the importance of rules. Ozma has made it illegal for most people to use magic. The crooked magician ignores this rule, and as an indirect result two innocent people are turned into marble. One of the items Ojo must get for his quest is illegal to gather. He doesn't want to break the law, but restoring his uncle is the most important thing to him, so he justifies it to himself. Then, the reader is introduced to the humane way Oz deals with people who break the rules. This theme will speak volumes to any child who has chaffed under the rules of an adult, but secretly acknowledged that the adult had his or her best interests at heart.
Several reviewers have commented that the end of the book is a cop out, and yes it might be disappointing if you were expecting a big, dramatic magical event. In truth, however, it is a masterful conclusion to the rules subplot. The conclusion underscores that rules are made to be kept, and that breaking them and then trying to sneakily get around them only causes problems. If one admits to breaking the rules, as the crooked magician should have done, and then tries to correct the mistake, it often avoids a great deal of trouble and ultimately works out better.
Overall, this book is a great read for young and old alike.
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